Click any of the key words to see Choir Bites related to that topic.

Put the Pencil Down

Put the Pencil Down

PUT THE PENCIL DOWN!

I didn’t originally anticipate a “Pencil Trilogy,” but sure enough this is my third (and final) pencil post. However, I think it is the most important. If you haven’t read the other two, they are listed below.

TOOLS OF THE TRADE
MISS IT? MARK IT!

I tell choirs to “begin with the end in mind,” a la Steven Covey. When discussing a performance, I ask, “What do you want the audience to say when you finish?” or “What do you want the audience to feel during your performance?” When it comes to singing in a competition, this line of thinking goes a bit farther.

Let’s take for example when my choirs perform at OMEA Large Group Contest each spring. OMEA ratings are:

-I: Superior

-II: Excellent

-III: Good

-IV: Fair

-V: Poor

We discuss how to prove we deserve a Superior rating. Until recently, I told the students to tell the judges (with their singing) to put down a “I.”

Then something changed.  I judged an ICCA Quarterfinal (International Championship of Collegiate Acappella). As I judged I was constantly thinking, constantly writing, constantly thinking of what number to circle in each category. How I wished for a group who sang so well I could just listen. Not write. Not circle. Just listen and enjoy.

I realized that I had never fully articulated to my choirs what was in my heart for so long. Since we were in ramp-up for OMEA contest, I asked my top choir, “What do you want the judges to put down?” I heard a chorus of “I!” and “Superior!” and even some “zero!” (being above a I). Then I said, “I want them to put down their pencils.”

Choir Bites Interactive Slides can enhance online/hybrid lesson plans or be used as supplemental assignments. Your singers’ awareness will rise as they engage with these simple, “sticky” concepts! Click here to learn more! 

A judge who is caught up in an artistic performance doesn’t want to write or score. They will gladly take the opportunity to step away from the job of judging to become a happy audience member. If your performance can make that happen, then you’ve won – regardless of your score. Don’t get me wrong – I’m not here to say “we’re all winners!” I don’t think that way. I do, however, think there can be more than one winner in music – which is what makes music different than a basketball game. Anyone who can turn the dots on the printed page into engaging music for the audience is a winner.

When your goal is a score or a winning rank, you aren’t striving towards artistry. If you try to get a specific number out of a judge and fail, then you’re just a failure. If your goal is to create art and you make it, there’s no score or ranking that can invalidate your performance. Creating art is the highest challenge, and if you succeed with your singing, the scores and ranks typically take care of themselves.

At the end of the day, music is an art form. When performed well, it becomes nearly impossible to score. That’s why competitions are both good and bad. They are good because they drive us to make our performances strong enough to become true art, and thus a subjective matter that lives outside of scoring. What a paradox! Yes, there will still be scoring in contests, and there will be ratings awarded. There might be plaques or trophies handed out. Still, the real winners will always be those who created true art on stage and every audience member not holding a pencil.


Keep Up On Your Yard Work

Keep Up On Your Yard Work

Miss It? Mark It!

Miss It? Mark It!